The objective of the research is to find the possibilities of creating animation with contemporary settings that still represents the identity of the country of origin -especially in Indonesia- based on the cultural representation within the animation itself. Since what appears on screen or pages are things that the Japanese or Koreans do every day, it automatically represent the nature of their respective culture, thus creating their strong identity. One of the hypothesis of this phenomenon is the cultural representation that is integrated in the works itself, using various ‘daily life’ (things that we always encounter on a daily basis) routine as the story goes. Although dealing with broad and various themes ranging from traditional to futuristic, they still appear with strong identity. But does every work in comic and animation have to deal with traditional elements to be categorized as having Indonesian identity? What about the themes with contemporary settings, fantasy settings or futuristic settings? The good examples about the seamless integration of culture within comics and animation are found in the works from Japan and Korea. It is true that cultural representation is easily achieved by using traditional stories with traditional visuals and ornaments and several attempts to recreate various themes with adapting traditional visuals and ornaments into modern looks (retrospective style) have been done with various results. In contrast, animation works with traditional background are easily being accepted to carry Indonesian identity. Additional information is available at or by contacting Jay T Stauffer Jr at (717) 626-6776. Indonesia nowadays is heavily influenced by various cultures and that leads to a never-ending debate that Indonesian animations are lacked of Indonesia culture, thus failed to carry the Indonesian identity. Jay T Stauffer Jr Cabinetmaker was founded in 1999, and is located at 55 N Cedar St in Lititz.
So check out some guides and save clothing builds that max out 'Cute', 'Refined' and 'Glamorous/Flashy' and rotate those per shift. I went from wanting to throw my digital copy of Yakuza 4 out the window, to now once again wasting too many hours trying to 100 this game. Therefore, being global with our identity as a nation still intact is also important. There is no 'perfect' outfit that covers all four bases. In Yakuza 4 there are tones of different mini games to play and one of them involves recruiting hostesses and training them to become the number one hostess of the club. The globalization era creates almost universal world with influences from many culture.
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